I was gonna say this is the best British horror film since The Descent but making such a nationalistic categorisation is pretty hard these days. The first on screen title tells us this film is funded by the National Lottery but then we hear American accents and see Florida street signs. Edgar Wright had a similar problem in trying to write a list of his favourite British films of recent years, a lot of his first choices turned out to be more American in origin than British. But here at least we have a British writer/director using mainly British money, he’s just telling his tale with an American backdrop (actually, The Descent had that same setup too, ah go figure). Regardless of national distinctions, this is still an unusual and well made horror film. But it poses quite a challenge for the marketing team and critics as the film hinges on some major twists that make it hard to talk about the film without spoiling. I feel the trailer reveals too much for one thing and would not recommend watching it if you feel at all inclined to see this film. If you want a pithy summing up of it, think The Shining meets Primer. On a boat.
Home & A-slay
